Photographs From Rome’s Testaccio District

The Testaccio neighbourhood of Rome located by the Tibor river and south of the Coliseum and ruins of ancient Roma is an interesting part of the city to stroll through. For a long time it was traditionally a working-class district. In recent years the area has become gentrified and this shows in some of the trendy eateries and bars as well as the broader mix of residents. Yet unlike some neighbourhoods. which completely lose their original flavour, Testaccio has retained much of its character and this shows in the photographs. The streets are full of grand old multi-story buildings. Graffiti, both artistic and non artistic, can be found in several corners of the neighbourhood.

The main piazza of Testaccio becomes animated over the weekend with families and children playing and kicking footballs around. Old long time residents can also be found shooting the breeze on the piazza benches.

Close to Pyramide metro station on the edge of the district is a prominent Egyptian style pyramid built during the Roman period. And nearby there is a beautiful and tranquil Protestant cemetery where one can find the graves of the English poets Keats and Shelley. I describe this cemetery in another blog post.

 

IMG_20180414_181914267IMG_20180414_175429284_HDRIMG_20180414_180934697IMG_20180414_180759495IMG_20180414_175826954IMG_20180414_180118696IMG_20180414_180543836IMG_20180414_181749154IMG_20180414_181322599_HDRIMG_20180414_181236969IMG_20180414_182535034IMG_20180414_181511270IMG_20180414_181339140IMG_20180414_182156262IMG_20180414_181540097_HDRIMG_20180414_181602109IMG_20180414_183113914_HDRIMG_20180414_182635649IMG_20180414_182341405IMG_20180414_180858095IMG_20180414_180820634IMG_20180414_183149412

 

Photographs and text by Nicholas Peart 

(c)All Rights Reserved 

 

 

Sculptures By Francesco Messina At The Vatican Museums

The Vatican Museums are one of the jewels if not the leading attraction of ‘must see’ sites in Rome. It’s on everyone and their Jack Russell’s ‘to do’ list. Rome is extremely well endowed with historical sites and one could spend weeks if not months trying to unearth most of them. The Vatican Museums are of course most famous for the Sistine chapel as well as the Rapheal rooms containing his frescoes and a large Pinacoteca featuring a treasure trove of landmark works of art. As a consequence of such riches, it is supremely popular and the crowds can be overwhelming.

However the Vatican Museums are an enormous place with a breath-taking collection of art impossible to digest in just one visit. As most people make a b-line for the highlights, lots of work gets overlooked. Interestingly, within the museum complex there is a museum of modern and contemporary art featuring works by Rodin, Van Gogh, Gauguin, Matisse, Dali, Francis Bacon and several Italian modern artists including Giorgio Morandi, Alberto Burri and Lucio Fontana. Yet it was the handful of bronze sculptures by the Italian sculptor Francesco Messina, which caught my full attention.

Messina is considered one of the most important Italian sculptors of the 20th century. His sculptures remind me of Donatello’s when it comes down to their core fundamentals. The most important of these is tapping into the soul and spirit of the subject. Donatello had an immense talent for achieving this and this is what distinguished and separated him from his contemporaries and competitors. What’s more incredible was that Donatello was creating such human and soulful sculptures at the beginning of the Renaissance and several years before Michelangelo. Most of Donatello’s contemporaries had at least one foot still in the Medieval ages. Donatello, on the other hand, was streets ahead. For Donatello it was not just about recreating and resuscitating the great sculptures of the Classical period, it was also about executing feelings and creating sculptures of his subjects in a way where he understood and connected to them.

Messina is a true student of Donatello. His sculptures of Adam, John the Baptist and David all have their roots in Donatello’s David. They are very sensitive and delicate sculptures. Messina, like Donatello, creates his subjects warts and all without any traces of exaggerated mannerisms. Messina’s sculpture of David is far closer to Donatello’s sculpture of David as opposed to Michelangelo’s. Michelangelo’s David for all its dexterous skill is almost too perfect. Donatello’s David is closer to the source and projects a David that is more real and less idealised. Messina’s 1953 bronze sculpture of David is an exceptional creation. His David is like a feral tearaway street urchin from a Jean Genet book. Messina’s David tries to act in a tough ‘too big for his boots’ way carrying a large sharp knife but its all a front and it shows. He’s really a lanky, scared and lost little boy with twig-thin arms. Messina has created a true David with all his strengths but also all his frailties and vulnerabilities.

Messina’s sculpture of a youthful John The Baptist is another gem where he deftly captures his tenderness and humanity; that of a pure and virtuous being. The gaze of the face of Christ in his Ecce Home sculpture is hypnotic and visceral. As is the face and figure of his Mary of Magdalen sculpture. And this is where Messina’s genius as an artist lies; in his ability to crystallise emotion.

 

IMG_20180430_123622_899

The Rising of Lazarus (1951) – bronze

 

IMG_20180430_123622_908

The Young St John the Baptist (1955) – bronze

 

IMG_20180430_123622_898

Doubting St. Thomas (1951) – bronze

 

IMG_20180418_153853995_LL

Ecce Home (1953) – bronze

 

IMG_20180430_123622_900

Adam (1939) – bronze

 

IMG_20180430_123622_904

The Magdalen (1953) – bronze

 

IMG_20180418_154059609_LL

Pius XII (1963) – bronze

 

IMG_20180430_123622_909

St. Catherine of Siena (1961) – bronze

 

IMG_20180430_123622_902

Pieta (1950) – bronze

 

IMG_20180430_123622_901

Davide (1953) – bronze

 

 

Text and photographs by Nicholas Peart 

(c)All Rights Reseved 

Visiting Rome’s Protestant Cemetery

IMG_20180416_135334777

Located in Rome’s Testaccio district is Rome’s Protestant Cemetery where many distinguished figures through the ages are buried. The cemetery is most famous for being the resting place of the English poets John Keats and Percy Bysshe Shelley. Both poets died young. Shelley at 30 and Keats at only 25. Keats died in Rome in 1821 of tuberculosis and is buried next to his friend, the English painter Joseph Severn (who lived 58 years longer dying at the age of 84 in 1879), in the Parte Antica (Old Part) of the cemetery by the prominent Pyramid of Cestius, originally constructed in 18-12 BC as a tomb for Gaius Cestius who was a magistrate and member of the Septemviri Epulonum, one of the great religious corporations of ancient Roman priests.

 

IMG_20180416_131905442_HDR

The graves of poet John Keats (on the left) and his friend Joseph Severn

Shelley drowned off the Italian Riviera in 1822, just a year after Keats. Even stranger is the fact that a book of Keats poetry was found in his pocket when his body was washed up on the shore. His friends, the poet Lord Byron and the English novelist and traveller Edward John Trelawny, cremated his body on a beach near the Tuscan town of Viareggio. The ashes were then sent to the British consulate in Rome who transferred them to the Protestant Cemetery. Shelley’s grave is located in the Zona Vecchia (Old Area) part of the cemetery in the row at the very back. His epitath reads, ‘Nothing of him that doth fade, But doth suffer a sea=change, In to something rich and strange’

 

IMG_20180416_132840240

The grave of the 19th century English Romantic poet Percy Bysshe Shelley

Directly facing Shelley’s grave is the small grave of the American Beat era poet Gregory Corso who died in 2001. His epitath reads, Spirit is life, it flows thru the death of me, endlessly like a river, unafraid of becoming the sea.

 

IMG_20180416_133717048_HDR

The Grave of the American beat poet Gregory Corso 

Elsewhere in the cemetery are the tombs of the grandson of the poet William Wordsworth and the only son of the German writer and poet Goethe. The cemetery contains the grave of the uncle of Edvard Munch, Peter Andreas Munch, who was a historian. One can also find the graves of the 20th century Italian poets Dario Belleza and Amelia Rosselli. One of the principle artists of the Italian post-WW2 Arte Povera art movement, Jannis Kounellis, was buried here last year. The graves of the 19th century English sculptors, John Gibson and Richard James Wyatt, who were both students of the Italian sculptor Antonio Canova, are both located in this cemetery.

 

IMG_20180416_134315185

The tomb of the 19th century English sculptor John Gibson

The grave of the Italian philosopher and one of the founders of the Communist Party Of Italy, Antonio Gramsci, can be found here. He was imprisoned in 1926 during Benito Mussolini’s Fascist regime. Whilst in prison he wrote the seminal Prison Notebooks between 1929-35, which were inspired by Marxist theory and by the writings of figures such as Niccolo Machiavelli and Vilfredo Pareto. In 1935 he was released from prison due to deteriorating health and died two years later in 1937.

 

IMG_20180416_135929819_HDR

The grave of the Italian Marxist philosopher and Communist Party of Italy founder Antonio Gramsci 

One of the most prominent graves in the cemetery is that of the Italian surgeon and humanist Giovanni Ceccarini, which reigns majestically in full Neo-Classical opulence and glory.

 

IMG_20180416_140108383

The lavish neo-classical tomb of the Italian surgeon and humanist Giovanni Cecarrini

Visiting this cemetery is definitely worth the trip. Especially on a sunny and cloudless day. It is one of the most beautiful and peaceful cemeteries I have ever visited. Some cemeteries can be a sombre and oppressive experience but not this one. Moreover, it is not an overvisited place like many of Rome’s other landmarks. There is no fee for visiting but at least a 3 euro donation is recommended in order to maintain the cemetery.

 

By Nicholas Peart

(c)All Rights Reserved