The Ludwig Museum is one of Budapest’s primary cultural institutions. When I visited the museum during my time in Budapest, there were three different art exhibitions on display. Two of those were purely focused on contemporary art from the Uralic world. The language, Hungarian, is part of the Uralic family of languages. The three primary languages from that family are Hungarian, Finnish and Estonian.
SALLA TYKKA : Short Titles
The first exhibition was a display of short films by the Finnish video artist Salla Tykka. Her films focus on the inner core of existence. The first of her short films I encounter, Giant, is set in the gym of a Romanian all girls school. Here the girls undergo strict, stultifying and repressed exercise routines with faultless precision; as if they are robots or algorithms and not human beings. Watching the film makes me nauseous. The gym is also like one great soulless and sterile modern day concentration camp. Its an intensely depressing video and I only watch a few minutes of it before moving on yet out of all Tykka’s short films, it is also one of her most memorable.
Still from the short film Giant by the Finnish artist Salla Tykka
Another film by Tykka, Lasso, is set in suburban Finland. It features a young man in his home gyrating in a dynamic and primal way with a lasso. During this moment, a young girl outside watches him transfixed through the slits of the closed blinds. She develops strong feelings towards him, difficult to articulate in words. But when the ritual with the lasso ends, so do those feelings and she is brought back down to earth. The film beautifully encapsulates this moment so many of us experience yet struggle to verbally convey.
Still from the short film Lasso by the Finnish artist Salla Tykka
My Hate Is Useless is an early short film by Salla Tykka from 1996 documenting her struggle with anorexia. It is a raw and visceral film further documenting the pain and suffering she experiences. At one intervals she violently screams in Finnish ‘I hate myself’. Elsewhere in the film we see various bits of paraphernalia such as the medication she is taking.
Still from the short film My Hate Is Useless by the Finnish artist Salla Tykka
RELATED BY SISTER LANGUAGES : Estonian-Hungarian Contemporary Art Exhibition
The second exhibition in another part of the museum is an exhibition of Estonian and Hungarian contemporary art curated by Krisztina Szipocs, the chief curator of the museum.
The first works are encounter are a small series of canvases by the Estonian artist Kaido Ole. Yet close by the canvases are two large painted mural like installations by the same artist depicting both the beginning and end of Estonia. The installation showing the beginning theme contains a sepia image of a coastline and the sea encased within a square sequence of different hues of blue. The end theme of the installation is more abstract featuring fading brown hues and the letters ‘Eeeeehhhh’ in the middle. It is difficult enough to envisage when the beginning may have been even if one where to use such primordial elements such as the sea and the colour blue. The end however is unwritten.
Kaido Ole : The Beginning Of Estonia (2016/18)
Kaido Ole : The End Of Estonia (2016)
Close by, a video by the Estonian artist Tanja Muravskaja, Three Sisters, featuring two girls who are both cousins reflecting on the war in Ukraine from their own personal experiences. One of the girls in the video lives in the Ukrainian capital of Kiev and the other in the small Russian town of Belgorad, located 40kms from the Ukrainian border. The two videos play simultaneously as the girls talk at the same time. What is immediately clear is that both have very different views and experiences. From what I can decipher the girl from Belgorad comes across as if she got the rougher end of the deal. You can just see it in her stern facial expressions never mind what she is saying. The brief blurb states she is 27. In body maybe, but spiritually she has the heaviness of someone more than twice her age who has already been through every rough mill of life. The girl from Kiev, on the other hand, appears more open and lighter in spirit without any of the baggage of her cousin from Belgorad. The third sister is the artist herself who acts as the mediator; the sister who attempts to heal the rift. Her invisible role is the trickiest.
Tanja Muravskaja : Three Sisters (2015)
The Hungarian artist Hajnal Nemeth has a video work entitled Crash – Passive Interview (2011) an experimental operatic video in 12 acts. I witness two acts of this video. The first features a clip in a BMW factory featuring two men in workers clothes in a kind of comic operatic dialogue, whilst the second shows one of the two men again this time dressed like some playboy from Milan in an open top white BMW in another operatic dialogue with a woman. The dialogues are police reports made after a series of non fatal car crashes. How something so ordinarily prosaic, anxiety ridden and traumatic is turned into some kind of absurd Eurotrash Aldi like visual opera has me in fits of laughter. Its a tragic-comedy masterpiece and one of the highlights of the show.
Hajnal Nemeth : Crash – Passive Interview (2011) – still one
Hajnal Nemeth : Crash – Passive Interview (2011) – still two
The Estonian art duo Johnson and Johnson, who’s name is taken from the global big pharma behemoth of the same name, has a work in the form of an illustrative chart on display entitled Top 5 State Employees. I can’t read a word of any Uralic language but visually the chart metaphorically echoes how this world at large defines ‘progress’ or ‘success’. What today’s measure of success of progress may be won’t be the same 100 years from now. What does it matter? What does it mean? Employees work for someone else and do what they are told and do their best to please to be rewarded. They have no skin in the game despite their best and most conscientious efforts. On the other hand, the Steve Jobs and Elon Musks of this world would make the Bottom 5 State Employees. They are too disruptive and visionary.
Johnson and Johnson : Top 5 State Employees (2009/18)
A Selection From The Museum’s Permanent Collection Of Hungarian Contemporary Art
The final exhibition in the museum featured a selection from the museum’s permanent collection. The work on display was global with works by big names such as Picasso, Andy Warhol, Chuck Close and Georg Basalitz. However, with the limited time I had left in the museum before the departure of my train to the Hungarian town of Szeged later in the day, I purposefully decided to focus on works by Hungarian artists in the collection. Below I am featuring some these…
Emese Benczur : Not All Is Gold That Glitters (2016)
Laszlo Lakner : Danae (1968)
Laszlo Haris: Confrontation-Action: Double Portrait (1973-2012)
Gabor Koos : Budapest Diary XIII (2015)
Peter Turk: Treadmill I-II (1975-81)
Peter Gemes : Hourglass (1995)
Zsuzsi Ujj : With Ocsi (1988)
By Nicholas Peart
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